Growing old, growing up hurts; this is a reality of life.
Growing
up, maturing, going out into the adult world will hurt.
They don’t tell you
this at graduation, the commencement speaker does not add such a statement to
the litany of positive affirmations that are so bland and surface that they
really mean nothing. Yet I would argue that it is a truth with which we all
grapple. Growing old is difficult. Part
of the tragedy of such a reality is that we cannot avoid it; we are all getting
older and are growing up in our own ways and there really is not anything we
can do to avoid it (except die, which I am not at all advocating!). There are a
number of mediums (movies, art forms, books, songs, etc.) that wrestle with
this truth of existence. Some deal with this reality with a Pollyannaish kind
of optimism telling the audience that it is all going to be ok and there are
plenty of rainbows and unicorns to be found in adulthood if you just look hard
enough. Life is a giant PEZ dispenser popping out sweet pill goodness. Some
people actually believe this crap. Some
tell you that you only have to hold onto your youthful idealism and then you
will never have to face the cold, harsh reality of life in its fullest. Keep
wearing the hip-hugging jeans, the t-shirts with Hasbro toys on the front, and
the ironic 1970s movie references because then you are still holding onto your
youth (or at least a very sad dream and illusion). Then there are those works
that looks the specter of aging and maturing in the face with all the good and
horror that it has to offer and say, “bring it on.” These are people who
embrace the truth that growing old is painful and do not run away. I feel that
Karen Russell’s book Swamplandia!
offers this realistic, macabre look at the travails of becoming an adult and
does not run from the reality of the pain of maturing.
Warning, spoilers
abound!
What I found great about Russell’s book is that it offers a
realistic view of life through very metaphorical, fantastical, and mystical
themes. In Swamplandia! we meet a
family of alligator wrestlers running a perverse kind of theme park in the Florida
Everglades, living a dream and a lie in its greatest fashion complete with
security blankets of multiple kinds. It is after the mother of this family dies
that the rest have to grow up and start to encounter the pain as well as the
wonder of life. One by one each character in Russell’s book has to search, take
chances, and try to find their own way in this new, uncharted life. Each one
suffers, each one loses something, and each one grows. The brother endures
insult and injury working at a rival park experiencing the “real world” like a
bucket of ice water poured on top of his head (and he wasn’t even challenged to
do so). The older daughter tries to escape to a forgotten time with a ghost who
promises love forever only to be left at the altar. The youngest daughter,
searching for her sister, joins with a magical “birdman” in an almost Homeric
Odyssey until she realizes that her traveling companion is nothing more than a
perverted, lost, old man. Each travel, each struggle, and each suffer as they
leave the theme park of their youth and enter into the real world.
And there is no happy ending.
This is where I find Russell’s book refreshing and
difficult. There isn’t a sad, tragic ending, but things are not brought to a
satisfying conclusion. With my first read I found myself looking for the happy
conclusion where everyone was able to return to their home, to their comforts,
and to their illusions that they once knew. I yearned for a happy ending and
was found wanting. It is not a tragic ending. It is not an ending with a body
count rivaling many movies today, but it was not a happy, return to glory
ending. So I had to sit with the uncomfortable place where Russell leaves the
reader.
It is a real ending. It is an ending that fits life. We
work, we struggle, we do well, or we fail and then we continue. This is life as
the great existentialists, Camus or Sartre, would describe it (without the
French accent, beret, and cigarette). Perhaps they would applaud such a
realistic work even as it drips with metaphor and symbolism. It is a book that
speaks to the difficulty of growing up in a realistic way, and after pondering,
musing, and reflecting, I have found the ending refreshing and perhaps
instructive.
With each character they had to endure their own journey in
their own way. Yet to a degree they held to their roots, to who they were. One
saves a girl from drowning due in part, to his training wrestling alligators.
Another survives in the Everglade wilderness because of her knowledge in the
land, and another escapes danger through an alligator pit because of her
training and upbringing. We move on, but we do not leave our childhood. They
are our roots. They are in large part who we are for better or worse. Trying to
leave is painful and important, yet what we learn, who we are can help us
survive the journey and the next stage of life and we never fully leave who we
are.
Now for the theological bit: think about conversion. When we
hear the word, “conversion” we often think that it is referring to a complete
change of the person/thing in question. One converts from one position to
another. We would not usually think about conversion in the sense of growing
up, yet perhaps we should. I am not suggesting that religious conversion necessarily
speaks to a move from adolescence (unbelieving) to adulthood (believing). I
have had too many interactions with winey, annoying, immature Christians to
make such a statement. What I am suggesting that even though there a change does
occur through conversion (religious or otherwise), there is always that aspect
of the individual that stays the same. That person still has the memories, the
experiences, the values and ideals that influenced the conversion in the first
place. Yes, the person has changed, but there still is the sameness that
continues in the converted. The characters in Swamplandia! were changed through their experience, but continued
to carry and stay connected with their identity as it was shaped in the swamps
and with the alligators.
In addition to this, conversion is not easy. Part of the
work of conversion is trying to navigate one’s life with a new identity. Now
that you believe “x” how will you spend your evenings, your weekends, and eat
your pig? Post-conversion, one needs to navigate one’s life in new and
different ways. This is not easy but is a reality of moving from one place to
another. In evangelical circles conversion is painted as a moment where one experiences
a profound experience, has a lightning flash, mountaintop moment, and is a new
and changed person. While this experience may happen, it is only a part of
one’s conversion. Work is needed to get to that moment and work is needed after
that moment. Things will be lost just as they are gained; this is a reality of
conversion.
So from a theological perspective we can see how Russell’s
book may speak to the experience of conversion. Not the powerful, wonderful,
flash-in-a-moment conversion where one minute you are a regular person and the next
you are a bundle of nutrients for an alligator, but the slow, deliberate
process of moving from one place of belief to another and all of the pain and
beauty that such a process takes.
So I encourage all neophyte believers of whatever doctrine,
belief, or faith tradition to read Swamplandia!
and ask yourself what it is that you are going to have to let go of, what is it
that you are going to have to do differently, and where is it going to hurt the
most in order to stay true to your newly found convictions of faith.
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