I have been writing. Obviously I haven’t been writing for this blog, but I have been writing. I have been mostly working on my Dissertation, which is a good thing. I’m on chapter 4, the social-historical section. So I haven’t been reading much or doing much else – this is the life of a doctoral student, wah, wah, wah.
As I have said before, I have been working on Baptist ordination. I have found an important piece of information in my research: the presence of the denomination (broadly construed) is important. Us freedom loving, independent minded, creedal denying, Bible holding, and autonomous curmudgeonly Baptists would like to say again and again that it is the local church that ordains. We would like to say that all we need is the affirmation of the local congregation and that person is ordained. Yet since 1720 (circa), in the Baptist movement nationally (as best as one could be national in the 1720s) and locally (i.e. FBC Swansea) a council of local ministers was required to affirm the desires of the denomination for ordination. As time continued there was a clear tension in the literature between the authority of the local church and the credentialing power of the ordaining council. So, is it up to the local church? Ultimately, yes. The local church recommends someone and would be the ones who ultimately ordain someone. Yet the council is a gatekeeper. The council is a body that would affirm the individual as someone who would be fitting for other Baptist churches beyond the one ordaining the individual. This brings into question the role and nature of church autonomy. While an Association does not tell a church who to hire (in most cases) it does play a big part in ordination. Perhaps we can’t do it all on our own. Perhaps we don’t want to.
Unrelated Afterthought: While writing this I have been listening to the All Songs Considered Blog list of the most influential songs of the last decade. As an example of the impact American Idol had on the decade they posted a Taylor Hicks song (Do I make you Proud). It is a great example of how a good voice does not make a good artist. It is really an awful, sappy, nauseating, painful and depressing song. No, Hicks, you don't make me proud.
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